Miró's oft-quoted interest within the assassination of painting is derived from a dislike of bourgeois art, which he believed was used as a way to promote propaganda and cultural identity between the rich. Specially, Miró responded to Cubism in this manner, which by the time of his quote had develop https://www.triptales.me/discover-the-artistic-and-historical-marvels-of-barcelonas-museums/